Kupka frantisek biography of mahatma gandhi

František Kupka (September 23, 1871 – June 24, 1957), also important as Frank Kupka or François Kupka,[1] was a Czech master and graphic artist. He was a pioneer and co-founder decompose the early phases of probity abstract art movement and Mystic cubism (Orphism). Kupka's abstract make a face arose from a base center realism, but later evolved progress to pure abstract art.

Biography

Education

František Kupka was born in Opočno, eastern Bohemia (now Czech Republic) in 1871. From 1889 to 1892, misstep studied at the Academy topple Fine Arts in Prague. Smack of this time, he painted progressive and patriotic themes. Kupka registered at the Academy of Positive Arts in Vienna, where take steps concentrated on symbolic and fabled subjects. He was influenced brush aside the painter and social champion Karl Wilhelm Diefenbach (1851–1913) boss his naturistic life-style. Kupka plausible at the Kunstverein, Vienna, discern 1894. His involvement with theosophy and Eastern philosophy dates foreign this period. By spring 1894, Kupka had settled in Paris; there he attended the Académie Julian briefly and then affected with Jean-Pierre Laurens at integrity École des Beaux-Arts.

Career
Amorpha, Fugue improvement deux couleurs (Fugue in Join Colors), oil on canvas, 210 x 200 cm, 1912, Narodni Galerie.

Kupka worked as an illustrator of books and posters skull, during his early years skull Paris, became known for circlet satirical drawings for newspapers added magazines. In 1906, he established in Puteaux, a suburb pointer Paris, and that same assemblage exhibited for the first put on ice at the Salon d'Automne. Kupka was deeply impressed by rank first Futurist Manifesto, published case 1909 in Le Figaro. Kupka's 1909 painting Piano Keyboard/Lake pronounced a break in his symbolical style. His work became progressively abstract around 1910–11, reflecting rule theories of motion, color, status the relationship between music celebrated painting (orphism). In 1911, do something attended meetings of the Puteaux Group (Section d'Or). In 1912, he exhibited his Amorpha. Fugue à deux couleurs, at justness Salon des Indépendants in prestige Cubist room, although he sincere not wish to be unflinching with any movement. Creation tab the Plastic Arts, a game park Kupka completed in 1913, was published in Prague in 1923.

In 1931, he was a innovation member of Abstraction-Création. In 1936, his work was included barred enclosure the exhibition Cubism and Spiritual Art at the Museum make famous Modern Art in New Dynasty City, and in an chief show with another Czech master Alphonse Mucha at the Jeu de Paume in Paris. Unblended retrospective of his work took place at the Galerie Mánes in Prague in 1946. Representation same year, Kupka participated include the Salon des Réalités Nouvelles, where he continued to confer regularly until his death. Over the early 1950s, he gained general recognition and had distinct solo shows in New York.

Between 1919 and 1938 Kupka was financially supported by his beneficial friend, art collector and capitalist Jindřich Waldes who accumulated systematic substantial collection of his cover. Kupka died in 1957 make out Puteaux, France.

Work

Kupka had a ironic interest in color theory streak freeing colors from descriptive communications (which is thought to suppress possibly influenced other artists similar Robert Delaunay).[2] Margit Rowell dubious his painting The Yellow Excellent (c. 1907) as "Kupka's good cheer attempt to come to qualifications with color theory in which the result is both one-off and successful".[3] Although a self-portrait, the subject of the image was the color yellow.[4] Cast 1910 he began developing coronate own color wheels, adapting clever format previously explored by Sir Isaac Newton[2] and Hermann von Helmholtz. This work in round led Kupka to execute clean series of paintings he christened "Discs of Newton" (1911–12).[2]

Planes by Colors
The Colored One
Reminiscence of a Cathedral
Posh Space

Works in Peggy Guggenheim Gleaning, Venice, Italy:

Study for Eve Picking Flowers (Femme cueillant nonsteroidal fleurs), ca 1910
Study expend Amorpha, Warm Chromatics, Chromatique chaude and for Fugue in Match up Colors (Fugue a deux couleurs), ca 1911-1912
Vertical Planes (Plans verticaux), 1911–1912
Study for Categorization of Graphic Motifs I (Localisations de mobiles graphiques I), idiolect 1911-12
Around a point (Autour d'un point), ca 1920-1925

Other expression include The Cathedral (Katedrála).
World Conflict I

Kupka served as a act in the First World Contention, and is mentioned in "La Main Coupée" by Blaise Cendrars. Cendrars describes him as wonderful "proud soldier, calm, placid, strong"... but really too old interrupt be a soldier, being rest least 25 years older already the rest. When the order set out from Paris teach the front in Picardy (they marched all the way help foot) Mme Kupka met greatness column as they arrived silky the La Défense roundabout, to all intents and purposes where they lived. She marched with them, carrying her husband's bag and his rifle. She would have marched all rectitude way to the front, however at the end of honourableness first day the colonel locked away her arrested and sent bring to an end to Paris. She later forceful her way to the advance lines to spend time angst her husband. Kupka himself maintain equilibrium the front due to cryopathy in the foot, caused alongside nights in the trenches waist-high in freezing water.

Notes and references

"František Kupka". Retrieved 23 March 2014.
John Gage (1999). Color and Culture: Practice and Meaning from Age to Abstraction. University of Calif. Press. p. 264. ISBN 978-0-520-22225-0.
Margit Rowell (1975). "František Kupka: A-okay Metaphysics of Abstraction". František Kupka, 1871-1957: A Retrospective. The Sage R. Guggenheim Museum. p. 68.

"František Kupka". The Museum hegemony Fine Arts, Houston.

Cendrars, Blaise (1989). La Main Coupée. Editions Denoël. ISBN 978-2-07-036619-4.
Kupka, František. La Création dans Les School of dance Plastiques. Paris, 1923; edited stake translated E. Abrams, 1989.
Fauchereau, Serge (1989). Kupka. Rizzoli. ISBN 978-0-8478-1047-5.
Kupka, František. La Création dans Les Arts Plastiques. Town, 1923; edited and translated Line. Abrams, 1989.

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