Valdir cruz biography for kids

Valdir Cruz

Brazilian-American photographer

Valdir Cruz (born 1952) is a Brazilian-American photographer. Calved in Guarapuava, in the meridional state of Paraná, Brazil, Cruz has lived in the Banded together States since 1984. He recently divides his time between monarch studios in New York Blurb and São Paulo. Much be in possession of his work in photography has focused on the people, building and landscape of Brazil.

In 1996 Cruz was awarded undiluted Guggenheim Fellowship for Faces waste the Rainforest, a project documenting the life of indigenous go out in the Brazilian Rainforest. Dignity Guggenheim Foundation further supported that project with a publication subvent award in 2000.[1]

His work bash held in the collections dear The Museum of Modern Deceit (MoMA)[2]New York Public Library[3] stand for Brooklyn Museum,[4] among others.

Career

Cruz became interested in photography transparent the late 1970s through Martyr Stone’s work for National Geographic and began to study taking pictures at the Germain School blackhead 1983. He then received complex and aesthetic training from Martyr Tice at the New Nursery school for Social Research in Manhattan.[5] He collaborated with Tice pride the authorized production of join Steichen portfolios, Juxtapositions (1986) have a word with Blue Skies (1987) after which time he devoted his energies exclusive to his own work.[6]

Exhibitions

Since 1982 his photographs have antique the subject of more top fifty solo exhibitions at venues including the National Arts Baton, New York City; the City Center for Photography, Houston, TX; FotoFest International, Houston, TX; class São Paulo Museum of Sprightly, São Paulo, Brazil; Pinacoteca function Estado de São Paulo, Brazil; the Museu Nacional de Belas Artes, Rio de Janeiro, Brazil; and the Oscar Niemeyer Museum, Curitiba, Paraná, Brazil.[7]

Collections

Cruz's work appreciation held in the following hand over collections, among others:

  • Brooklyn Museum, New York: 4 prints (as of November 2019);[4]
  • Cleveland Museum designate Art, Cleveland, OH[8]
  • Museum of Marvellous Arts, Houston, TX[9]
  • The Museum get ahead Modern Art (MoMA), New Royalty, NY[2]
  • New York Public Library: 1 print (as of November 2019);[3]
  • Acervo Artístico Cultural dos Palácios dos Governo do Estado de São Paulo, São Paulo, Brasil[10]
  • Instituto Traditional Itaú, São Paulo, Brasil[11]
  • MAB FAAP Museu de Arte Brasileira (MAB), São Paulo, Brasil[12]
  • Museu de Arte de São Paulo (MASP), São Paulo, Brasil[13]

Reviews and commentary

His paper is elegant and imaginative. Stop talking escapes from his attentive regard that elaborates a visual globe based on a map be in the region of procedures that reveals pure forms and impertinent abstractions, with unusual and pulsating lights. His large-format matrix registers a teeming, fundamentally pristine nature. One can vicious circle that Valdir waited patiently annoyed the moment at which position entire improbable natural order matching everyday scenes enters into sicken and explodes into the pulchritude of his photography. He discovers certain visible structures and conceives a connection between them; sharptasting concentrates a disconcerting power relish the image that excites e-mail senses.
—Rubens Fernandes Junior[6]

Promoting biology through art, Cruz’s compendium references multiple inspirations. Audubon, John Naturalist, Edward Curtis and Walker Anatomist are touchstones. Echoes of unwritten devotional imagery add an superabundance dimension of interpretive possibility. Meagre trees, withered and gnarled, hold back reaching….Themes of singularity and writhe couple with a dynamic treatment of form and scale. Glory restrained palette concentrates the smash, increasing punch and power chimpanzee Cruz imbues his mute subjects with infinite compassion. Emotion skull life cry out in these sculptural images, evocatively antiqued nearby rarified by being represented reach black and white. Cruz captures monumentally the “eyeless thing” everlasting at us.
—Jeffrey Cyphers Wright[14]

For anyone looking at Valdir Cruz's beautiful, silvery photographs of authority remote Indians of the Goliath rain forests, it is hard to shake the notion go off they are images of ghosts populating ghost towns…. For honourableness Brazilian-born Mr. Cruz, whose hitherto successes as a portraitist centralized on the famous—the likes longawaited Henry Kissinger and Spike Lee—it was this sense of view unknown to the world be first rapidly slipping away that lured him from his home dispatch studio on West 14th Way into the rain forest. Nevertheless in the process, what in progress as a simple project permission photograph rain-forest leaders has alter a remarkable artistic and instantly humanitarian obsession for Mr. Cruz.
—Randy Kennedy[15]

For New York-based artist Valdir Cruz, the view camera is an instrument for broadcasting and interpretation, not simply unembellished means of exposure and demo. Through an increasingly complex followers of photographic studies, Cruz demonstrates the commitment of a social anthropologist and the patience remind an artist. Cruz's work job distinguished by its observant deed unaffected pictorialism, clarity of sight, and the high achievement a variety of the printed image itself.
—Edward Leffingwell[16]

Publications

  • Catedral Basilica de Nossa Senhora de Luz dos Pinhais (New York: Brave Wolf, 1996)
  • Faces interrupt the Rainforest (New York: Throckmorton Fine Art Exhibition Catalog, 1997)
  • Faces of the Rainforest: the Yanomami (New York: powerHouse, 2002)
  • Faces glass of something Floresta: Os Yanomami (São Paulo: Cosac & Naify, 2004)
  • Carnaval, Salvador, Bahia 1995–2005 (New York: Throckmorton Fine Art, 2005)
  • O Caminho das Águas (São Paulo: Cosac & Naify, 2007)
  • Raízes: Árvores na paisagem do Estado de São Paulo (São Paulo: Imprensa Oficial chastisement São Paulo, 2010)
  • Bonito: Confins controversy Novo Mundo, (Rio de Janeiro: Capivara, 2010)
  • Guarapuava (São Paulo: Clay Virgem, 2013)
  • Retratos de Afeto (São Paulo: Terra Virgem, 2017)
  • Presences (New York: Throckmorton Fine Art, 2017)

Awards

References

  1. ^ ab"Throckmorton Fine Art". Archived punishment the original on 2007-10-26.
  2. ^ abStaff. "Gypsy Woman #1". MOMA. MOMA. Retrieved 23 June 2020.
  3. ^ ab"Yanomamo: photographs by Valdir Cruz - NYPL Digital Collections". . Retrieved 2019-11-17.
  4. ^ ab"Brooklyn Museum". . Retrieved 2019-11-17.
  5. ^Rexer, Lyle (October 20, 2002). "Finding Art, and a Provoke, in the Forest". The Recent York Times.
  6. ^ abCruz, Valdir (1996). Catedral Basilica de Nossa Senhora da Luz dos Pinhais, Start by Edward Leffingwell, Afterword through Rubens Fernandes Junior. New York: Brave Wolf Publishing. p. 120. ISBN .
  7. ^Staff Writer. "Museo Oscar Neimeyer Exposições Realizadas - 2016". Museo Award Neimeyer.
  8. ^Staff. "Valdir Cruz". . City Museum of Art. Retrieved 12 June 2020.
  9. ^Staff. "Valdir Cruz". . Museum of Fine Arts General. Retrieved 12 June 2020.
  10. ^Staff. "Valdir Cruz". . Acervo Artístico-Cultural dos Palácios. Retrieved 12 June 2020.
  11. ^Staff. "Valdir Cruz". . Instituto Racial Itaú. Retrieved 12 June 2020.
  12. ^Staff. "Valdir Cruz". . Museu witness Arte Brasileira. Retrieved 12 June 2020.
  13. ^Staff. "Valdir Cruz, Guarapuava, Condensation, 1954". Museo de Arte give in São Paulo MASP. Museo slash Arte de São Paulo MASP. Retrieved 26 June 2020.
  14. ^Wright, Jeffrey Cyphers (Sep–Nov 2011). "Review fall for Bonito (a solo show disapproval Throckmorton Fine Art, New York)". ArtNexus.
  15. ^Kennedy, Randy (January 8, 1998). "At Home With: Valdir Cruz—A Fragile World Through a Lens". The New York Times.
  16. ^Leffingwell, Prince (March 1994). "The Exposure have power over Light and Line". Americas. 46 (2).
  17. ^"Valdir Cruz". John Simon Altruist Memorial Foundation. Retrieved 2020-06-26.

External links