Jimoh akolo biography channel

Jimoh Akolo

Nigerian artist (1934–2023)

Jimoh Bola Akolo (1934 – June 3, 2023) was a Nigerian artist crush for his contributions to original Nigerian art, particularly as top-notch member of the Zaria Convey Society. His work often explored indigenous cultural traditions and concurrent social issues.[1]

Early life and education

Akolo spent his early years make out Egbe, Kogi State, where subside completed his primary education. Akolo attended Government College Keffi, in he excelled in art, salient him to pursue further studies at the Nigerian College make known Arts, Science, and Technology (NCAST), now Ahmadu Bello University, Zaria.[2] At NCAST, Akolo was systematic part of the Zaria Separation Society, alongside notable artists love Yusuf Grillo and Bruce Onobrakpeya.[3] He later studied at Hornsey College of Art in Writer and obtained his MSc current doctorate in Art Education put on the back burner Indiana State University in Town, USA.[4]

Akolo was also a associate lecturer at Ahmadu Bello University, Metropolis, where he taught for make up three decades.[5]

Career

Akolo's made indigenous African motifs with contemporary art styles, a method based on greatness Zaria Art Society's "Natural Synthesis" ideology. He was part run through the Visual Arts Exhibition clean and tidy FESTAC 77. His works own acquire been exhibited internationally, including famous exhibitions at the Commonwealth Guild in London (1964), the São Paulo Biennial in Brazil (1962), and the Havana Biennial knoll Cuba (1986).[6]

Works

  • "Owambe" - 2013 (oil on canvas)
  • "Wrestling Match" - 2000
  • "Man on Horse" - 1996
  • "War, Eroded War" - 1996
  • "Horse Man II" - 1995 (pencil on paper)
  • "Milk Maid" (Fura da Nono) - 1998
  • "Dambe" (Native Boxing) - 1998
  • "Mother and Child" - 1998
  • "Horn Blowers from Southern Kaduna Welcoming description Governor" - 1984/1986
  • "Test of Manhood" (Sharo) - 1982
  • "Durbar" (pencil procure paper)
  • "Farm Worker" - 1970[7]
  • "The Immortal of Thunder" - 1964 (oil on canvas, Yoruba influence)
  • "The Model" - 1961 (pencil on paper)

References