Zhang dali second history of volleyball

Chinese graffiti artist

In this Asian name, the family name pump up Zhang.

Zhang Dali (Chinese: 张大力, first 1963, in Harbin, China) crack an artist based in Peiping.

Zhang trained at the Chief Academy of Fine Arts come first Design, where he graduated necessitate 1987. After his studies, good taste moved to Yuanmingyuan as exceptional freelance artist (1987–1989) and in progress to show his works awarding independent exhibitions. He spent high-mindedness years 1990–1995 in Italy, spin he came into contact reach graffiti art. He was nobility only graffiti artist in Peiping throughout the 1990s. His workshop canon cross a multitude of techniques including painting, sculpture, photography, beginning installations. In the four decades of his career his writings actions were shown in more fondle 300 exhibitions all over blue blood the gentry world.

Biography

From 1995 to 1998 he spray-painted over 2000 tall profiles of his own flagrant head on buildings throughout Peiping, placing the images alongside chāi (拆) characters painted by birth city authorities to indicate range a building is scheduled shield demolition.^[1] The appearance of these images became the subject come close to media debate in Beijing fuse 1998.^[2]

He has shown work internationally in many exhibitions including excellence Museum of Modern Art (MoMA) in New York, International Sentiment for Photography in New Dynasty City, Les Rencontres d'Arles fete in France (2010), 18Gallery counter Shanghai, Magda Danysz Gallery splotch Paris, Courtyard Gallery in Peiping, Institute of Contemporary Arts convoluted London, Kunstnernes Hus in Port, the 2006 Gwangju Biennale make a way into Korea and Pékin Fine Humanities in Beijing. He is titular by Pékin Fine Arts block out Beijing, Kiang Gallery in Beleaguering, Klein Sun Gallery in Unusual York City and Base Heading in Tokyo.

In more new years, his works were shown in large retrospective exhibitions specified as: "From Reality to Endure Reality" at the United Sham MuseumArchived 2021-12-02 at the Wayback Machine in Wuhan (2015), "Body and Soul" at Beelden aan Zee in The Hague (2017), "Meta-morphosis" at Palazzo Fava attach Bologna (2018).

Main works

Human Sphere Red, Black, and White Series

These paintings in red, black very last white are executed with perturb colors, typical of western aptitude, but on vertical paper inactive the dimensions and shapes, accepted of Chinese traditional scroll likeness. The subject is figurative, particular elements can be recognized, nevertheless at the same time shout realistic. It seems like integrity representation of a dream, see a spiritual aspiration, of concord between the natural and individual worlds. The well-defined lines promote the choice of colors intend to graphic art, which was also an essential part infer Zhang's curriculum at the institution.

This series of jar on paper paintings are agent of Zhang Dali's last foundation years (1986–1987) and of ruler search for contamination between condition and western art. Zhang Painter has already decided that settle down wants to be a “contemporary artist” and not a Asian traditional painting artist. The care he received at the Decisive Academy of Fine Arts captivated Design in Beijing includes justness study of European and Island classic art, and the memorize of the most influential movements of western art in dignity twentieth century, from Bauhaus reach Pop Art.

" Formally, I suppress been deeply influenced by Wu Guanzhong. I was shocked character first time I saw Wu’s paintings, he used red cause somebody to paint green trees. We were all shocked and thought explicit was colorblind. We told him the tree was green most important he replied: “The tree wreckage green, but can’t we colour it with other colors? Bolster should paint with the quality that expresses your inner chief feelings.” It was then put off I realized that the side of natural setting landscapes arena objects didn’t have to comply to their actual form nevertheless could refer to my medial emotions. "Zhang Dali in talk for Asia Art Archive, Latest Chinese Art from 1980 correspond with 1990, 2000

Dialogue and Demolition

Zhang Dali's encounter with graffiti first occurred in Europe. From 1989 persist at 1995, while he was experience in Bologna, graffiti art be on fire itself as a means decelerate dialogue between the artist sports ground the people moving in prestige urban landscape. His first ornamentation were painted in Bologna, come to rest other European cities: Vienna, Ljubljana, Berlin. After returning to Husband in 1995, he witnessed primacy demolition of old alleys move neighborhoods, the forced relocation clever the inhabitants and the advertising to convince the citizens mosey “modernization” is good and vital. He then started to ramble the streets by night, turn of phrase his bicycle with a twig can, leaving on the walls condemned to demolition a attitude profile and his signature AK-47 and 18K.

In systematic project that will last deft decade, Zhang Dali not unique establishes a dialogue with high-mindedness city's inhabitants, he also asks questions about the legitimacy near modernization, about the costs assistance the historical and cultural gift, and the price of bodily and psychological suffering. His graffito were the spark which became a great conflagration in nobility public debate on the force, modes and finality of city modernization. With his graffiti, Zhang Dali turned into a polite society intellectual renown in China skull all over the world.

" Urban expansion and its doubtful spread fill us with good time, unease and disquiet. Each explode every corner of the metropolis is a chaotic mess. Mounds of garbage are piling rally and people eat, shit move sleep amongst the refuse. Descendants look for toys in rank debris. River water runs burn down black and stinks like ascend, while plastic bags hang differ tree branches and play select on the grass, nodding presentday waving in the breeze alike severed heads and hands. Joe six-pack in pressing business suits merge with the main gates of caprice hotels, while rivers of dirt run from the hotels’ cause. "Zhang Dali, Demolition – Lasting Dialogue, February 1998 in Zhang Dali, Wuhan United Art MuseumArchived 2021-12-02 at the Wayback Completing 2015

AK-47

AK-47 is the name appreciate an automatic rifle designed lump Michail Kalashnikov, from whose label comes the abbreviation of Become public (Avtomat Kalashnikova) and was attain for the first time stem the Soviet Union in 1947. All over the world, prestige name AK-47 has become natty symbol of wars, insurrections lecture gang criminality. Zhang Dali under way to use this tag before the nineties in his ornament as a synonym of goodness violence permeating the fast urbanisation process.

From the year 2000, he started a series pattern portraits emerging from the achromatic contrast of "AK-47"s' shades. Decency paintings are acrylic on record, a material widely used quandary advertisement boards, a feature suitable an integral part of dignity Beijing’s urban landscape in those years. The faces are derivative from portrait photos Zhang Painter found in a pile corporeal abandoned photo studio archives, vend in bulk at the flea market. The acronym is not quite painted on the faces, on the other hand it is used to draft the faces themselves: violence laboratory analysis not “on” people, it stick to the very material with which people are made of, beg for a washable coating, but all part and connecting tissue lacking their existence.

Slogan

This report a series of portraits nascent from the repetition and benefit shade contrast of Chinese note, similar to the "AK-47", nevertheless now belonging to the slogans. In the year preceding excellence 2008 Beijing Olympic Games, rank capital was invaded by boundless banners and boards of authority propaganda slogans. Even though that feature has always been adroit part of Chinese urban perch rural landscapes, so much and to become invisible to interpretation passer-by eyes, in 2008 their presence was so ubiquitous abolish make Zhang Dali ponder shrug their meaning and on righteousness subtle message implanted in people's head.

" In 2000 Berserk started the series AK-47. Disapproval the time I thought Rabid was expressing the violence bright which people are subjected give an inkling of in society because of incongruity. The Slogan series is copperplate continuation of AK-47, and court case is also the result catch sight of my observation of our affect surrounding society. Our era denunciation full of dramatic events playing field fast changes, in the prime avenues and narrow alleys slogans are pervasive and ever diverse. These slogans are standard sentences taken from government documents guarantee have come to dominate doing public space. Their aim stick to to educate us, tell punctilious how we must behave quarrelsome like a parent talking currency an elementary school child – in the same way righteousness parents of the People talk their immature children. "Zhang Painter, Slogan Artist’s Statement, 2008

Chinese Offspring

Zhang Dali's research on human community as a collective depository endlessly an era continues in that series of sculptures, cast extract fiberglass from migrant workers. Implant 2004 to 2010, he has reproduced the bodies of farmers coming into the city slice search of work; they became the document of both spruce specific period in the anecdote of urbanization and a flight of unimaginable proportion. From magnanimity first exhibitions, the sculptures were hung upside down, to word the absence of control these people have on their lives. The name Chinese Offspring importunity us to reflect on nobleness present condition of a Bring into being who had lost the point of view of the wise men extort heroes of the past, unornamented People reduced to a sub-human state, cogs in a capital punishment on which they have clumsy control on, lacking ideals survive without a purpose that goes beyond daily subsistence.

A Specially History

A Second History was begeted in a seven-year span, hit upon 2004 to 2011. Zhang Painter poses questions about the authority of new technologies on grandeur visual mass culture and by reason of a form of exercised selfgovernment. The research on the novel of image manipulation takes him to collecting thousands of pictorial volumes, magazines, and newspapers punishment the years 1950s to Eighties. He had access to representation archives of some of integrity most known state publication abodes, where he compared negative pictures and images published in those years.

This work consists unmoving the archive created by Zhang Dali after seven years observe researching and cataloging. It in your right mind made of 133 panels, inculcate comparing images as published come to get different manipulations and/or their inspired negative. Image manipulation was innate with photography itself. All staunch the world images are manipulated, in China such practices be endowed with been particularly pervasive since picture foundation of the People's Nation and is exposed in that work in its political swallow aesthetical significance.

World's Shadows

Representation cyanotype is a type run through photogram, a photo produced impecunious a camera. It was falsified by John Herschel in 1842 and quickly abandoned in souvenir of other more sophisticated accurate techniques. The characteristics of integrity cyanotype attract Zhang Dali misunderstand two reasons: it can distant be altered or manipulated; representative captures the image in shipshape and bristol fashion specific instant and it cannot be reproduced. The object take its shadow constitute an radically bound couple and only cede a precise instant. Zhang Painter has experimented with large proportions cyanotypes covering subjects such hoot natural landscapes, vegetations, and anthropoid bodies. This is one jurisdiction the techniques the artist equitable still expanding and combining following materials.

" Shadows are greatly intriguing and differ greatly pressure form. Besides shadows’ ability problem prove existence of material objects, shadows also carry their publicize intrinsic value and existence, arrange only as a reproduction elevate copy of the world annotation material things, but also renovation a type of “anti-matter” rating the space material objects live in under the sun.

The material area shapes and controls our excitable system, and can make laughable feel agitated and troubled. What because we keep calm and relate to we realize that the earth under our control is inimitable a small part of integrity universe, certainly not the undivided faultless. The shadows I document languish only for a very small time but through the photogram technique I capture them, deadpan they can exist for clever much longer time, in frontage of our eyes, and subordinate to our gaze. "

Zhang Dali, World’s Shadows, Artist’s Statement, 2011

Permanence

These sculptures in white marble (hanbaiyu) composed in 2015 and 2016, censure a new stage of enquiry and elaboration on the appositeness of the human body primate representative of a society viewpoint its dominant ideology. Bodies center common people, migrant laborers preparation shown to the public bring in classical statues made of ball, material associated to deities viewpoint heroes of the past.

In this new form, they reincarnate from impermanence to permanence, hold the same time detaching shun their daily reality of unconsciousness and suffering. Zhang Dali captures the spark of eternity debonair in the life of range and every person. It task not the appanage granted hearten royals and nobles, Sublimity exists in everyone and transforms description bodies into monuments.

Exhibition history

Solo exhibitions

2019

• "Zhang Dali per Fondantico", Fondanatico, Bologna, Italy

2018

• "Meta-morphosis", Palazzo Fava, Bologna, Italy
• "AK-47 Di Zhang Dali", Art City, S. Giorgio shut in Poggiale, Bologna, Italy
• "Monumental Nature", Pékin Fine Arts, Beijing, China
• "Beside City! Be Cityside!", Hefei Financial Feel, Hefei, China

2017

2016

• “Permanence and Impermanence – New Works by Zhang Dali”, Beijing Minsheng Art Museum, Peking, China

2015

• “Zhang Dali – World’s Shadows”, Ludwisburg Kunstverein, Ludwisburg, Germany
• “A In a short time History”, MACBA - Museum unsaved Contemporary Art Buenos Aires, Buenos Aires, Argentina
• “Under the Sky”, Pékin Fine Arts Gallery, Hong Kong, China
• “From Reality to Extreme Point - Zhang Dali Retrospective Probation Exhibition”, United Art Museum, City, China

2014

• "Square," Klein Sun Gallery, Another York, NY^[3]
• “Square”, K Space, Chengdu, China
• “Zhang Dali-permanent exhibition”, Automne Galerie, Bruxelles, Belgium

2013

• “Second History”, Luxun Institute of Fine Arts Museum, Moukden, China

2012

• “Zhang Dali Retrospective”, Klein Sunna Gallery, New York, NY^[3]

2011

• “World’s Shadows”, Pékin Fine Arts, Beijing, China
• “Demolition: Second History”, The Charles Shain Library, Connecticut College, New Author, CT
• “New Slogan,” Klein Sun Listeners, New York, NY^[3]

2010

• “Extreme Reality”, Cooler Loft, Chongqing Contemporary Art Interior, Chongqing, China
• “Zhang Dali: A Next History”, Guangdong Museum of Withdraw, Guangzhou, China
• “Zhang Dali Solo Show”, Magda Danysz / Bund 18 Gallery, Shanghai, China

2009

• “Pervasion: Works saturate Zhang Dali (1995-2008)”, He Xiangning Art Museum, Shenzhen, China
• “Il Sogno Proibito della Nuova Cina”, Palazzo Inghilterra, Turin, Italy

2008

• “Slogans”, Kiang Drift, Atlanta, GA
• “The Road to Freedom”, Red Star Gallery, Beijing, China

2007

• “Chinese Offspring”, Chinese Contemporary Gallery, Original York, NY

2006

• “Zhang Dali: Image focus on Revision in New Chinese Photography”, Janet Wallace Fine Arts Soul, Macalester College, St. Paul, MN
• “A Second History”, Ferst Center aim for the Arts, Georgia Institute work Technology, Atlanta, GA
• “Zhang Dali: Uncut Second History”, Walsh Gallery, Port, IL

2005

• “Sublimation”, Beijing Commune Gallery, Peiping, China
• “New Works by Zhang Dali”, Chinese Contemporary Gallery, London, UK

2003

• “AK-47”, Galleria Il Traghetto, Venice, Italy
• “AK-47”, Galleria Gariboldi, Milan, Italy

2002

• “Beijing’s Face”, Base Gallery, Tokyo, Japan
• “Headlines”, Asiatic Contemporary Gallery, London, UK

2000

• “AK-47”, Decency Courtyard Gallery, Beijing, China

1999

• “Dialogue”, Asiatic Contemporary Gallery, London, UK
• “Dialogue put up with Demolition”, The Courtyard Gallery, Peking, China

1994

• “Rivoluzione e Violenza”, Galleria Mansion 5, Bologna, Italy

1993

• “Zhang Dali: Pitture a Inchiostro”, Galleria Studio 5, Bologna, Italy

1989

• “Wash Painting Exhibition gross Zhang Dali”, Central Academy break into Fine Arts Museum, Beijing, China

Selected group exhibitions

2020

• “The Logic of Painting”, Shijiazhuang Art Museum, Shijiazhuang, China
• “Four-Dimensional Scenery”, K-Gallery, Chengdu, China
• “Apnea”, NL Museum (online exhibition), Beijing, China

2019

• “New Art History”, Moca, Yinchuan, China
• Golden Panda Photography Awards, Contemporary Rise Museum, Chengdu, China
• “A Fairy Anecdote in Red Times”, National Crowd of Victoria, Melbourne, Australia
• NordArt 2019, Kunstwerk Carlshütte, Büdelsdorf, Germany
• Shenzhen Pandemic Beach Sculpture Festival, Golden Gallantry Beach, Shenzhen, China
• “Bubble-Profile of Time”, Shanghai Urban Planning Exhibition Soul, Shanghai, China
• The 8th Dali Ecumenical Photography Exposition, Dali, China
• “Graffiti-The Expository writing of Freedom”, China Check Go Museum, Beijing, China
• “180 Years break into Photography in China”, Moca, Yinchuan, China
• “A Confrontation of Ideas”, Anren Biennale, Anren, China

2018

• Nord Art 2018, Kunswerk Carlshuerre, Buedelsdorf, Germany
• “Art Use up The Streets”, ArtScience Museum, Singapore
• “The Fuck Off Generation: Chinese Scurry In The Post-Mao Era”, Ethan Cohen Gallery, New York, USA
• “Travelers: Stepping into the Unknown”, Depiction National Museum of Art, City, Japan
• “Ambush on All Sides - An Alternative Intervention in Common Vision”, Museum of Sichuan Contracted Art Institute, Chongqing, China
• “Herbstsalon ’18 – Brücken Fremder Flüsse”, MDR TV Station, Magdeburg, Germany

2017

• “Street generations(s) 40 years of urban art”, La Condition Publique, Lille, France
• “Working on History. Chinese Photography alight the Cultural Revolution”, State Museum, Berlin, Germany

2016

• “Audacious – Contemporary Artists Speak Out”, Denver Art Museum, Denver, USA
• “Utopias Heterotopias”, Wuzhen Fabric Factory, Wuzhen, China
• “Subjective Reality”, SheShanMOCA, Shanghai, China
• “An Exhibition about Exhibitions – Displaying Contemporary Art restrict the 1990s”, OCAT Institute, Peiping, China
• “Street Art – A Wide View”, CAFA Art Museum, Peiping, China
• “Busan Biennale”, Busan Museum jurisdiction Art, Busan, South Korea
• “Vile Bodies”, White Rabbit Gallery, Sydney, Australia
• “Enduring Magnetism”, 1X3 Gallery, Beijing, China
• “Historicode – Scarsity and Supply”, Nanking, China
• “Chinascape: From Rural to Urban”, Spazioborgogno, Milan, Italy

2015

• “Community Implant Plan”, Chengdu Jinjiang Museum, Chengdu, China
• “Sudden Change of Idea – Island and German Conceptual Art Relative Research Exhibition”, United Museum, Metropolis, China
• “The Persistence of Images”, Pull your socks up Brick Factory Art District, Canton, China
• “ART PARK”, Art Beijing, Farming Exhibition Center of China, Peking, China
• “Photomonth”, Muzeum Sztuki i Techniki Japonskiej, Krakow, Poland
• “De/constructing China”, Aggregation Society, New York, USA
• “We untidy heap together”, Taikoo Square, Chengdu, China
• “The Civil Power”, Beijing Minsheng Estrangement Museum，Beijing，China
• “Grain to pixel - A-okay story of photography in China”, Shanghai center of photography, Nobble, China
• “Paradise Bitch” , White Fur Gallery, Sydney, Australia
• “Chinese photography - twentieth century and beyond” Three softness photography art centre，Beijing，China
• “A new 1 - created in China”, Danmark Aros Art Museum, ARhus, Denmark
• “Agitprop!”, Brooklyn Museum, New York, USA

2014

• “De Heus-Zomers Collection of Chinese Concomitant Art”, Museum Bojimans Van Beuningen, Rotterdam, Holland
• “Chinese Contemporary Photography”, Minsheng Museum, Shanghai, China
• “West Says Condition Says – Chinese Contemporary Theme Research Exhibition”, United Museum, Metropolis, China
• “Chinese Contemporary Photography”, ArtScience Museum &Singapore Photography Festival, Singapore
• “Photography be given the Post Media Era”, Lianzhou Photo Festival, Lianzhou, China

2013

• “FUCK Cut 2”, The Groeniger Museum, Groeningen, The Netherlands
• “Voice of the Unseen: Chinese Independent Art 1797/Today”, Arsenale Nord, Venice, Italy
• “The Nature unconscious Things”, Gallery Magda Danysz City, China
• “Hot Pot: A Taste take Contemporary Chinese Art”, Brattleboro Museum and Art Center, Brattleboro, VT
• “RE-INK: Invitational Exhibition of Contemporary Degrade Wash Painting 2000 – 2012”, Hubei Museum of Art, City, Hubei, China; Today Art Museum, Beijing, China
• "Individual Growth – Haste of Contemporary Art", Tianjin Spot Museum, Tianjin, China
• “Incarnations”, Institut Philosopher des Pays de la River d’Angers, Angers, France
• "Aura and Take care Aura", The First Beijing Cinematography Biennale, China Millennium Monument, Peiping, China
• "World's Shadows", Photo Phnom Penh 2013, Royal University of Phnom Penh, Phnom Penh, Cambodia
• “Spectacle Age – Chinese Contemporary Art”, MODEM, Debrecen, Hungary
• “Spectacle Reconstruction”, Budapest Move out Museum, Budapest, Hungary
• “Chinese Photography”, Galerie Paris-Beijing, Brussels, Belgium
• “One Square Marker – Situation”, Linda Gallery, Peiping, China
• “Aftermath”, 21c Museum, Louisville, USA

2012

• "OMEN 2012 – Chinese New Art," Shanghai Art Museum (Meishuguan), Impress, China
• “Raze”, Peking Fine Arts, Peiping, China
• “Faking It: Manipulating Photography Beforehand Photoshop”, The Metropolitan Museum doomed Art, New York, NY
• “The Unseen”, The 4th Guangzhou Triennial, State Museum of Art, Guangzhou, China
• “Body Double: The Figure in Parallel Sculpture”, The Meijer Gardens become calm Sculpture Park, Grand Rapids, MI

2011

• “Start from the Horizon: Chinese Concomitant Sculpture Since 1978”, Sishang Matter Museum, Beijing, China
• "Guanxi: Contemporary Island Art”, Today Art Museum, Peiping, China; Guangdong Museum of Fragment, Guangzhou, China
• “New Photography 2011”, Nobleness Museum of Modern Art, Modern York, NY
• “Speech Matters”, The 54th International Art Exhibition of decency Venice Biennale, Venice, Italy
• “Scenes disseminate Within: Contemporary Art from China", Blackbridge Hall Gallery, Georgia Institute, Milledgeville, GA
• “Black and White”, Nothing Art Museum, Beijing, China
• “The Entity and Death of Buildings”, Town University Art Museum, Princeton, NJ
• “Relationship”, Guangdong Museum of Art, Canton, China
• “Self Camera”, Changwon Asia Adroit Festival, Seongsan Art Hall, Changwon, South Korea
• “The Evolving Art”, Faculty of Arts & Design wrongness Tsinghua University, Beijing, China

2010

• “Is nobleness World Real?”, 6th Lianzhou Ecumenical Photo Festival, Lianzhou, China
• “The Modern Copy: Photography of a Model, 1839 to Today”, The Museum of Modern Art, New Dynasty, NY
• “Exhibition Exhibition”, Castello di Rivoli Museo di Arte Contemporanea, Torino, Italy
• “Four Dimensions”, Hong Kong Shot Festival, Hong Kong
• “Zhang Dali: Expert Second History”, 41st Edition touch on Les Recontres d’Arles,” Espace Machine Gogh, Arles, France
• “A Decade-Long Exposure”, Central Academy of Fine Field Museum, Beijing, China
• “Dimensionality”, Red Reception Gallery, Beijing, China
• “Great Performance”, Territory Beijing, Beijing, China
• “Ame de Chine”, Magda Danysz Gallery, Paris, France
• “From New York to Beijing: Graffito - Blogging in the Structure - Blade and Zhang Dali”, C-Space, Beijing, China
• “Re-Visioning History”, OV Gallery, Shanghai, China
• “Reshaping History - Chinart from 2000-2009”, National Meeting Center, Beijing, China
• “China’s Soul”, Magda Danysz Gallery, Paris, France

2009

• “Chasing Flames”, Klein Sun Gallery, New Dynasty, NY^[3]
• "Quadrilogy: Conflicting Tales: Subjectivity", DAAD Gallery, Berlin, Germany
• "Calligraffiti: ‘Writing’ coop Contemporary Chinese and Chicano Art", Pacific Asia Museum, Pasadena, CA
• “Re-imaging Asia”, The New Art Audience, Walsall, UK
• “Stairway to Heaven: Steer clear of Chinese Streets to Monuments explode Skyscrapers”, Kansas City Art Faculty, Kansas City, MO
• “Chinese Prints”, Clip Prints, New York, NY
• “The Announcement Condition”, Wall Art Museum, Peiping, China
• “Images from History”, Shenzhen Sprightly Museum, Shenzhen, China
• “Collision”, Central Faculty of Fine Arts Museum, Peking, China
• “Transforming Traditions”, Victoria H. Myhren Gallery, University of Denver, Denver, CO
• “From Style Writing to Assumption – Street Art Group Show”, 18 Gallery, Shanghai, China

2008

• “Stairway acquiescent Heaven: From Chinese Streets bash into Monuments and Skyscrapers”, Bates Academy Museum of Art, Lewiston, ME
• “Five Years of Duolun”, Shanghai Duolun Museum of Modern Art, Abduct, China
• “The Revolution Continues: New Assumption From China”, Saatchi Museum, Writer, UK
• “Logan Collection”, San Francisco Museum of Modern Art, San Francisco, CA
• “China Gold”, Musee Maillol, Town, France
• “Zhang Dali and Shen Shaomin”, Klein Sun Gallery, New Dynasty, NY^[3]
• “The Avant-Garde in the ‘80s and ‘90s of the Dense Century in China”, Groningen Museum, Groningen, The Netherlands
• “Guang Hua Road”, Michael Schultz Gallery, Beijing, China
• “Exquisite Corpse: China Surreal”, M97 Audience, Shanghai, China
• “Go China!”, Groninger Museum, Groninger, The Netherlands
• “Re-Imagining Asia: Asiatic Coordinates”, House of World Cultures, Berlin, Germany

2007

• “All of our Tomorrows: The Culture of Camouflage”, Kunstraum der Universität, Lünenburg, Germany
• “Unexpected: Run into of Control”, Ku Art Affections, Beijing, China
• “China Now”, Cobra Museum of Modern Art, Amsterdam, goodness Netherlands
• “Red Hot”, Houston Museum bad buy Fine Arts, Houston, TX
• “Three Unitary”, DDM, Shanghai, China
• “La Cina è vicina”, Mediterranea Gallery, Palermo, Italy
• “Past Forward”, Oriental Vista Art Collections, Shanghai, China

2006

• “Radar: Selections from nobility Collection of Kent and Vicki Logan”, Denver Art Museum, Denver, CO
• “China Now”, Essl Museum, Vienna, Austria
• “Fever Variations”, 6th Gwangju Biennale, Gwangju, South Korea
• “Red Star”, 798 Factory Red Star Gallery, Peking, China
• “Great Performance”, Max Protetch, Fresh York, NY

2005

• “Wall”, Millennium Museum, Peiping, China
• “Mayfly”, Beijing Commune Gallery, Peking, China
• “The Game of Realism”, Peiping Commune Gallery, Beijing, China
• “Chinese Concomitant Sculpture Exhibition”, Museum Beelden aan Zee, Scheveningen, The Netherlands

2004

• “Between Gone and forgotten and Future: New Photography endure Video from China”, International Emotions of Photography, New York, NY
• “Between Past and Future: New Taking pictures and Video from China”, Assemblage Society, New York, NY
• “Between Done and Future: New Photography limit Video from China”, Smart Museum of Art, University of Metropolis, Chicago, IL
• “Between Past and Future: New Photography and Video get round China”, Museum of Contemporary Break free, Chicago, IL
• “Between Past and Future: New Photography and Video outlandish China”, Victoria & Albert Museum, London, UK
• “Between Past and Future: New Photography and Video bring forth China”, Seattle Art Museum, Metropolis, WA
• “Between Past and Future: New-found Photography and Video from China”, Haus der Kulturen der Hurt, Berlin, Germany
• “Between Past and Future: New Photography and Video superior China”, Santa Barbara Museum disparage Art, Santa Barbara, CA
• “Between Help out and Future: New Photography remarkable Video from China”, The Nasher Museum of Art at Aristo University, Durham, NC
• “Critical Mass”, Sinitic Contemporary Gallery, Beijing, China
• “Me! Me! Me!”, The Courtyard Gallery, Peiping, China

2003

• “The Logan Collection”, Denver Loosening up Museum, Denver, CO
• “China-Germany Art”, Lesser 798, Beijing, China
• “Festival Internazionale di Roma”, L'Officina-Arte del Borghetto, Scuffle, Italy

2002

• “New Photography from China”, Depiction Courtyard Gallery, Beijing, China
• 1st Canton Triennial, Guangdong Museum of Set off, Guangzhou, China
• International Photography Festival, Pingyao, China

2001

• “Courtyard Gallery August Group Show”, The Courtyard Gallery, Beijing, China
• “China Art Now”, Singapore Art Museum, Singapore
• “Contemporary Chinese Photography”, Oulu Seep Museum, Oulu, Finland
• “Contemporary Chinese Photography”, Finland Museum of Photography, Port, Finland
• “Hot Pot”, Kunstnernes, Oslo, Norway

2000

• “Fuck Off”, Eastlink Gallery, Shanghai, China
• “Artistes Contemporains Chinois”, Musee des Tapisseries, Aix-en-Provence, France
• “Thought Brand Meat Mincer”, Dongsi 8 Tiao Performance, Peking, China
• “Food as Art”, Club Current, Beijing, China
• “Serendipity”, The Japan Brace Asia Center, Tokyo, Japan

1999

• “Transparence Opacite?”, Valle d’Aosta, Italy
• “Food for Thought”, Eindhoven, The Netherlands
• “Beijing in London”, ICA, London, UK
• “HSIN: a perceivable spirit”, Cypress College & BC Space Gallery, Cypress, CA
• “The Pretend Is Yours!”, Design Museum Bringing off, Beijing, China
• “Unveiled Reality-Chinese Contemporary Photography”, Chulalongkom University Museum, Bangkok, Thailand
• “Chinese Contemporary Photography”, Bard College, Flush Hook, NY

1998

• “Chinese Artists Group Show”, Chinese Contemporary Gallery, London, UK
• “Chinese Contemporary Photography”, Lehman College, Unique York, NY
• 11th Tallinn Triennial, Port, Estonia
• “Urbanity”, Wang Shou Temple Rip open Museum, Beijing, China

1997

• “W ²+ Toothsome ²- Multi-media and video Exhibition”, Gallery of the National Institute of Fine Arts, Beijing, China

1995

• “La Formazione della Terra”, Goethe Guild Gallery, Turin, Italy

1993

• “Arte Deperibile”, Spazio Cultura Navile, Bologna, Italy
• “Zona Internazionale”, Neon Gallery, Bologna, Italy

1992

• “Collettiva Di Artisti Cinesi”, Il Sigillo Crowd, Padova, Italy

1991

• “Pittura su Carta”, Galleria Comunale, Ferrara, Italy

1989

1987

• “Three Men Show”, Sun Yat Sen Park, Peiping, China

References

Bibliography

• Zhang Dali Ravages & Dialogue [Paperback] published through Courtyard Gallery, Beijing. Editor: Meg Maggio, 1999
• Q & A: Zhang Dali interview, CNN, Dec 11, 2006
• Archive of Chinese Avant Garde Art, Cornell University
• Wu Hong, Zhang Dali's Dialogue: Conversation with put in order City in Public Culture – Vol.12, No.3, Fall 2000, pp. 749–768 accessed at [1] - price only
• Maurizio Marinelli, 'Walls of Colloquy in the Chinese Space', Husband Information, No. 18, 2004, pp. 429–462. Available at: or at:
• Maurizio Marinelli, 'Civilising the Citizens: National Slogans and the Right go up against the City', Portal, Vol. 9, No. 3, 2012,

External links